We are incredibly excited to share the re-release of Levitation Room’s ‘Ethos’  into two segments – the UK/EU Record Store Day ’26 exclusive and a new Greenway variant, available in our shop now!

A decade on, ‘Ethos’ still floats somewhere just out of reach – and now it returns to vinyl in celebration of its 10-year anniversary.

Levitation Room’s beloved psych statement is reborn for Record Store Day with a special UK/EU edition, honoring the album that helped define their sound. Dreamy melodies, shimmering guitars, and sun-dazed atmosphere collide once more, pressed fresh for collectors and longtime fans alike. This anniversary release invites you back into ‘Ethos’ with a brand new remix, remaster, and expanded art including a fold-out inner sleeve – just in time for the needle to drop again.

Call your local record store and see if they still have a copy OR visit our website to grab the NEW ‘Cosmic Horizon’ vinyl variant!

Find Participating Stores HERE

Greenway Records is thrilled to share the entrance of Spacemoth, the music project of Maryam Qudus, to the family with her sophomore album Inward Eye! This is a record that feels less like a collection of songs and more like a living, breathing ecosystem arriving to you on June 26th, 2026.

It drifts in on a soft current of synth and rhythm, inviting you to step outside yourself while somehow moving deeper within. There’s a warmth to it, a gentle insistence, like sunlight filtering through closed eyelids. Qudus describes it as a meditation on the mind’s eye – on memory, imagination, and the quiet, constant act of feeling your way through the world – and you can hear that intention in every looping phrase and pulsing beat.

The years leading up to Inward Eye were anything but still. After the release of No Past No Future, Qudus spent long stretches on the road, crossing state lines and time zones in a blur of stages and late-night drives. In 2024, she produced psych rock band La Luz’s News of the Universe, a collaboration that led to her joining the group on the road over the last few years. Somewhere in the in-between – tucked into the back of a van with a small synthesizer and a pair of headphones – these songs began to take shape. You can feel that sense of motion embedded in the record. The hum of tires on asphalt, the quiet solitude of travel, the strange clarity that comes from being untethered. It’s music born in transit, but it’s never unmoored.

What emerges is a broader, more kinetic vision of Spacemoth’s sound. The songs move with a kind of patient confidence, building and folding in on themselves like tides. There are moments that sparkle with bright, pop immediacy, only to dissolve into something expansive and meditative. Repetition becomes a comfort here – steady basslines, circling melodies, rhythms that seem to breathe. And yet, nothing feels rigid. Everything rises and falls with possibility as if the songs are gently rearranging themselves in real time. 

At its core, Inward Eye is about connection – across distance, across time, across the invisible landscapes we carry inside us. It holds nostalgia and curiosity in the same open hand, allowing them to coexist without friction. The result is a record that feels both intimate and vast, grounded while also being cosmic. It doesn’t tell you how to feel so much as it creates the space for feeling itself, inviting you to wander, reflect, and maybe see your own inner world a little more clearly.

Inward Eye is out June 26th.

Today, Rotterdam’s Iguana Death Cult return their fourth long player, Guns Out, released via Greenway Records. 

Guns Out marks a return to punchy garage rock and features honest self-reflection, addressing escapism, mental strain, and creative renewal. The result channels their early punk and garage roots, powered by Tobias Opschoor’s razorsharp riffs, Uri Rennert’s (Häxxan and Brian Jonestown Massacre) relentless drumming, Jimmy de Kok’s groovy rhythms and Jeroen Reek’s raw, emotive vocals.

On the albums first single ‘I Like It’, the band explains, “this song is either a critique of consumerism fed by malevolent tactics of greedy corporations, social media trickery and the overall existential dread of late stage capitalism. A salacious confession of fleshly desires that will get you into the groove or a silly song about a British baking show. But we’ll leave that to the ear of the beholder.”

Iguana Death Cult is a band who have made quite the miles in the last decade. Started as a group of young friends in 2014 wanting to make rock ‘n roll, the band has risen to great heights including touring with OSEES, Frankie and the Witchfingers, supporting Jack White, playing SXSW, Levitation Festival and Desert Daze and doing multiple successful US tours.

On Guns Out, Iguana Death Cult is exercising self-reflection on multiple levels: by breaking with the more indie-like, art-punk-funk sound of their previous album (Echo Palace, released through Innovative Leisure in 2023), returning to a more ‘in your face’ punchy garage rock style. Tough yet introspective, Guns Out captures a band coming to terms with its own evolution and the turbulent world around it.

Get your copy of ‘Guns Out’ HERE

Out of fragments, feeling, and a shift in altitude comes Levitation Room’s Equinox – out May 22nd!

This is a release that feels less like a fixed destination and more like a point of balance suspended in motion. Born from a period of transition, the EP captures the band in a state of quiet transformation, where old ideas are not discarded but reshaped, stretched, and allowed to breathe in new environments. There’s a sense of openness here – of creative doors left intentionally ajar – inviting spontaneity and intuition to guide what each song ultimately becomes. 

Rather than chasing perfection, Equinox leans into the process. What was a loose sketch gradually evolved through movement – both the physical and emotional. A change in scenery seeps into the record’s atmosphere, giving it an airy, expansive quality that contrasts with the more tightly wound origins of its material. You can hear the band letting go of rigid structure, allowing songs to unfold naturally, as if they’re discovering themselves again in real time. It’s the willingness to embrace the unknown that gives the EP its quiet sense of wonder.

The result is a fluid, transportive listen that floats effortlessly between moments of hazy introspection and gentle clarity. There’s a subtle cohesion running throughout – an undercurrent of balance that reflects the EP’s namesake. Like the equinox itself, the record exists in a delicate equilibrium, where light and dark, past and present, intention and instinct all meet in harmony. It’s a body of work that doesn’t demand attention so much as it invites immersion, rewarding listeners who are willing to sit in its shifting moods. 

Equinox arrives May 22nd and is available for pre-order now – marking not just a new release, but a snapshot of Levitation Room in motion, embracing change, and finding beauty in the in-between.

Greenway Records is proud to announce Infinity Baby, the second album from Baby Cool, the project of songwriter Grace Cuell, arriving June 5th!

For Cuell, songwriting has always been a way to process and understand the world. On Infinity Baby, that instinct takes on a more grounded and reflective tone, exploring the tension between light and darkness, certainty and doubt, and the shifting nature of being human.

Following her debut Earthling on the Road to Self Love, which approached big questions with a sense of curiosity and openness, Infinity Baby leans into a more direct and unguarded perspective. The record moves through feelings of longing, disillusionment, tenderness and release, tracing cycles of thought and behavior – the habits we inherit, the ones we fall back into, and the ones we consciously carry forward.

The album was created with collaboration with producer Samuel Joseph (King Gizzard, Family Jordan), recorded among the landscapes of the Northern Rivers. That setting leaves a clear imprint on the music, with Baby Cool continuing to weave together elements of psychedelia, folk, and kraut-pop into something spacious and immersive.

Each track captures a different facet of this internal landscape – the fragile sense of optimism, the monotony of daily routines and the quiet hope for change, the pressure of trying to make every moment meaningful, the attachment to our ideas and how they shape our imagination. The titular track, “Infinity Baby,” is the emotional center of the album that speaks on a fear of endlessness. Offering a sense of comfort to listeners rather than resistance.

Infinity Baby is out June 5th.